mr marcus
Banned
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Cool album...has replay value which is good to me...not AOY tho
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This dude has to be the happiest guy on NTwho caresssssss about migos !! they're terrible .. what the heckkkk is wrong with you people !! lets get back to drake.. just kiddinlol but serious.. migos gotta get out lol#terrible they're like 3 lil soulja boys with annoying gucci mane voice !!
not a hater tho.. i hope they all go platinum
" where i reside, it look like a resort inside !!!
Im so easily impressed lol that line gets me so hype
Why cant it just be that good? I would rate it higher than an 8.6 but it definitely deserves at least that IMO.http://pitchfork.com/reviews/albums/18511-drake-nothing-was-the-same/
that check must've been fat..
the day before it comes out too.
Good point. I wasnt trying to downplay the Kendrick verse or anything, it was more of a coincidence that I said the same thing earlier. IDK what sparked it either cant rememebr.the thing is you don't have to hear that verse again it already changed the climate of hip hop with one listen. does it lose its significance because its not on the radio everyday? none of these dudes really have "i gotta hear that again" verses drake included. and to make it seem like kendrick should've have followed that verse on some beef antics makes it clear that drake kind of missed the point or is truly becoming as bitter about it as he sounds.
i hate that "but it's not popular" argument.
Song is smoothJustin Timberlake ft. Drake - CabaretNot bad at all.
Here's his response to K. Dot's control verse:why did Drake get at Kendrick subliminally tho? why not just say his name on My Language? is he scared to go sparring with K. Dot?
Not gonnna lie, my dude is sounding a bit hypocritical“That verse was a moment to talk about. Are you listening to it now, though? He didn’t come in there on some wild, ‘I’m in New York, **** everybody.’ I almost wish he had come in there on that **** because I kind of lost a little bit of respect for the sentiment of the verse. If it’s really ‘**** everybody’ then it needs to be ‘**** everybody’. It can’t just be halfway”
so what exactly do you consider SFTB, HOWGH, From Time, and Own it ??No more Up All nights, Find Your Love, Make Me Prouds, no Take Care's
.
So after really listing to NWTS I feel like my feelings have really crystallized.
- I think its most cohesive singular piece of work since So Far Gone.
- I think 40 and Drake really show the growth and versatility of their sound, its the most confident record the OVO guys have produced. Thank Me Later and Take Care to a lesser degree still, would still lean back on the crutch of what modern hip hop is supposed to sound like. This eschews all that for better or for worse.
No more Up All nights, Find Your Love, Make Me Prouds, no Take Care's
They took the sound that was birthed on So Far Gone, that said it's first words on Thank Me Later, too it's first steps on Take Care, now it's an adult and 40/Drakes of kilter minimalist ambient sensibilities dominate the entire record.
He's a better rapper but he's clearly in no rush to prove himself with tracks like lord knows, just a quit confidence, and efficiency that he lacked in his earlier record, no wasted bars.
-Take Care had this sort of blueprint, radio hit + rap banger + slow jam+girl track, feel to it which sort of made it weaker thematically but on the other hand it is more flexible and can service different type of moods.
-Take Care tries to accommodated you, NWTS requires you to kind work yourself into its world.
I think Take Care and NWTS are 1a and 1b in his catalog.
so what exactly do you consider SFTB, HOWGH, From Time, and Own it ??