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They need to give him a shoe called the Puma Life
So there's a Low Life and High Life
So there's a Low Life and High Life
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Your SN thoAfter letting it marinate, there's a few songs I'll be keeping. I'm not just a fan of the Z100, poppy style Weekend. I understand he's far removed from that the style of music that won so many people over, and that's ok. Luckily, we still have that to listen to.
After letting it marinate, there's a few songs I'll be keeping. I'm not just a fan of the Z100, poppy style Weekend. I understand he's far removed from that the style of music that won so many people over, and that's ok. Luckily, we still have that to listen to.
Your SN tho
ReppedYour SN tho
Mind blown lolAfter letting it marinate, there's a few songs I'll be keeping. I'm not just a fan of the Z100, poppy style Weekend. I understand he's far removed from that the style of music that won so many people over, and that's ok. Luckily, we still have that to listen to.
I'll listen again but future ruins itAlbum version of Six Feet Under is much better than the leak imo. The bass drop at the first chorus rather than the bridge works way better. Beat is more polished overall too.
I was just about to edit and say that I like Future on it . The "cowbell" sound in the beat on the leak doesn't work imo.I'll listen again but future ruins itAlbum version of Six Feet Under is much better than the leak imo. The bass drop at the first chorus rather than the bridge works way better. Beat is more polished overall too.
He needs to re do sidewalks without the auto tune
It's sad he did that
After running through the album a couple times, it's alright.
I appreciate the amount of tracks on here for sure because I at least knew there would be **** in a different lane from the songs that are too poppy.
Really like Sidewalks but I hate the auto tune, don't understand the need for it on a song with so much organic instruments. Kendrick killed it unsuprisingly, dude on the bridge has a great voice as well.
Reminder is fire besides the cringy Lo Mein line.
Party Monster is dope, still some of the lines on there are bad, love the hook.
Love Six Feet Under even if it is Low Life pt.2, would've loved more Metro x Doc on the album but he's obviously not pop leaning enough.
I rock with I Feel It Coming, Weeknd x Daft Punk just works, would've loved if they had even more than just the two tracks.
Surprisingly like Nothing Without You even though I'm not a fan of Diplo's work usually.
Not feeling False Alarm, Secrets, Rockin, A Lonely Night, Die For You, Love To Lay, Stargirl Interlude, All I Know and Attention.
All of those songs are just super bland/basic, Secrets/Rockin especially, I'm straight off of ever hearing a Weeknd x Max Martin track ever again but obviously not going to happen especially if either of those succeed like Can't Feel My Face.
Lana Del Rey is just bad to me, never understood the appeal of her besides her "image".
True Colors had potential, love the drums on there but the chord progression doesn't do much for me. Maybe it can grow on me though.
All in all, I feel a bit ambigious about the project. It's good that he covered a lot of ground but at some parts it doesn't even feel like certain songs are from the same album.
I'm not expecting him to go back in time to 2011-2014 because that would be impossible and redundant but I can't say that the music is of the same quality at all.
A lot of the album is just very programmed and sterile, I feel in love with the music because of how organic it was even after he achieved success.
A lot of y'all have your own opinions but I'm going to have disagree with anybody that says this is "growth".
More commercially successful and a progression into pop? Yes but the music is not better from a songwriting/production standpoint.
But taste changes especially as your experience does so I can't knock him for making what is true to him right now, we'll always have the old music and I'm not going to act like he still doesn't make great songs sometimes.
This just isn't the progression that I thought I would see with the level of greatness that he showed so early in his career.
I literally agree with every single opinion here except the very last statement. When belong to the world premiered on MTV and they made a big deal about it I got the inkling in my head "what if this guys music actually gets big big".. and the song itself had such a different sound to me it sounded a little mainstreamAfter running through the album a couple times, it's alright.
I appreciate the amount of tracks on here for sure because I at least knew there would be **** in a different lane from the songs that are too poppy.
Really like Sidewalks but I hate the auto tune, don't understand the need for it on a song with so much organic instruments. Kendrick killed it unsuprisingly, dude on the bridge has a great voice as well.
Reminder is fire besides the cringy Lo Mein line.
Party Monster is dope, still some of the lines on there are bad, love the hook.
Love Six Feet Under even if it is Low Life pt.2, would've loved more Metro x Doc on the album but he's obviously not pop leaning enough.
I rock with I Feel It Coming, Weeknd x Daft Punk just works, would've loved if they had even more than just the two tracks.
Surprisingly like Nothing Without You even though I'm not a fan of Diplo's work usually.
Not feeling False Alarm, Secrets, Rockin, A Lonely Night, Die For You, Love To Lay, Stargirl Interlude, All I Know and Attention.
All of those songs are just super bland/basic, Secrets/Rockin especially, I'm straight off of ever hearing a Weeknd x Max Martin track ever again but obviously not going to happen especially if either of those succeed like Can't Feel My Face.
Lana Del Rey is just bad to me, never understood the appeal of her besides her "image".
True Colors had potential, love the drums on there but the chord progression doesn't do much for me. Maybe it can grow on me though.
All in all, I feel a bit ambigious about the project. It's good that he covered a lot of ground but at some parts it doesn't even feel like certain songs are from the same album.
I'm not expecting him to go back in time to 2011-2014 because that would be impossible and redundant but I can't say that the music is of the same quality at all.
A lot of the album is just very programmed and sterile, I feel in love with the music because of how organic it was even after he achieved success.
A lot of y'all have your own opinions but I'm going to have disagree with anybody that says this is "growth".
More commercially successful and a progression into pop? Yes but the music is not better from a songwriting/production standpoint.
But taste changes especially as your experience does so I can't knock him for making what is true to him right now, we'll always have the old music and I'm not going to act like he still doesn't make great songs sometimes.
This just isn't the progression that I thought I would see with the level of greatness that he showed so early in his career.