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I actually haven't heard many of these tracks but I also don’t rely on a YouTube to listen to music..
This “dreams money can buy” track is
![Pimp :pimp: :pimp:](/styles/default/xenforo/NTemojis/pimp.gif)
This “dreams money can buy” track is
![Pimp :pimp: :pimp:](/styles/default/xenforo/NTemojis/pimp.gif)
![Pimp :pimp: :pimp:](/styles/default/xenforo/NTemojis/pimp.gif)
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Some of these tracks are taking me back. Drake pre IYRTITL was lowkey untouchable
What was it originally?Drake edited the J Cole verse on Jodeci Back. As he should have. Idk how someone didn't check him for that bar in the first place.
What was it originally?
Hmm i agree it's out of line, but i find it interesting how certain subject matter is considered off limits in a genre that is filled with disrespectful material. Kinda like how prisoners have a code and terrorize pedophiles.
Speaking of wild bars... after listening to Care Package, I was in the zone. So I went back to run through So Far Gone.
BRUH, I never peeped that wild rape line on Houstatlantavegas.has that ever been addressed and I'm just late or.....?
It's well documented
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so saying the n word and b word is coolDrake edited the J Cole verse on Jodeci Back. As he should have. Idk how someone didn't check him for that bar in the first place.
I've been under a rock then. Never heard anyone mention it. I thought people just let it slide because it's Drake, and the internet wasn't as outraged about things like that back then.
Perhaps a bit of both.
okay guy. Carry on with your intellectual dishonestyso saying the n word and b word is cool
but u draw the line at calling folks ******ed???
no im not accusing uP
okay guy. Carry on with your intellectual dishonesty
original song, no remixes cause they don't own the beat
- no features
- had to have been officially released and not a leak (with the exception of Can I)
- not already on streaming
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“This is a story of dreams mixed with reality.
Everybody dreams.
Everybody travels,
sometimes into countries
where
strange beauty,
wisdom,
adventure,
love
expects him.”
Dreams That Money Can Buy is a 1947 experimental feature color film written, produced, and directed by surrealist artist and dada film-theorist Hans Richter. Collaborators included Max Ernst, Marcel Duchamp, Man Ray, Alexander Calder, Darius Milhaud and Fernand Léger. The film won the Award for the Best Original Contribution to the Progress of Cinematography at the 1947 Venice Film Festival. Each of the seven surreal dream sequences is in fact the creation of a contemporary avant-garde and/or surrealist artist.