- 6,779
- 2,325
Django was this illest movie I've seen so far this year.
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
The 2012 Oscars and How "Best" Almost Never Means "Favorite"
If there’s one thing that putting together our 10 Most Rewatchable Films of 2012 demonstrated, it is this: There’s a huge difference between what is the best, and what are our “favorites.” In our own lists, there were three crossovers: Looper, Moonrise Kingdom, and Safety Not Guaranteed . None of those were nominated for Best Picture by the Academy this year. In fact, looking at the 2012 nominees for Best Picture, there are exactly two I’d watch a second time: Silver Linings Playbook and Django Unchained, although I’m sure there are many who’d also give Les Mis a second viewing.
The others? Great films, but none of them will be occupying space on my DVD shelf. It’s probably why most of them won’t be lasting movies, either. To truly survive the ages, a film needs to be rewatched, shared with others, passed down to our new generations. I think The Hurt Locker is a brilliant film, but I’m not going to watch it again with friends or family, and I’m certainly not going to watch it on a Saturday night with the kids now or in ten years. Most Oscar films are watched because they’re Oscar films: People feel obligated to see what all the fuss is about, and when they’re over, we often sit in stunned silence, nod our heads with approval, commend the actors on their brilliant performances, and then we watch Fight Club or The Princess Bride again.
Still: I don’t care what people say: The Oscars matter. They matter because there’s money involved; they matter because they generate millions of news headlines; they matter because the horse race can be entertaining; and they matter because they’re often the only reason many people will even see the films being nominated. Whether they’re an accurate representation of what’s best is anybody’s guess, but what is for certain is that they’re rarely an accurate representation of what people will be watching five, ten or 30 years from now.
Look: The movie we best remember from 1983 is Return of the Jedi. In 1984, that title belongs toGhostbusters and Temple of Doom. In 1985, it was Back to the Future. 1986: Ferris Bueller’s Day Offand Stand By Me. In 1987 it was Dirty Dancing. In 1988, it was Big and Die Hard. Those are the movies from those years that will be watched and rewatched, that will be fondly remembered, that will be shared with future generations. How many Best Picture nominations do they have combined? Zero (there’s a couple of screenplay nominations, one acting nod, and a lot of technical nominations among them). But ask someone under 30 if they’ve ever seen A Passage to India or Terms of Endearment or Amadeus, and you’re more likely than not to get a blank stare.
All of which is to say: Best doesn’t mean favorite, and best certainly doesn’t mean classic. There’s a pretty good chance that audiences will trickle out and see the films that are nominated, and even more may run out and see the Best Picture winner (unless it’s Amour), but chances are, most of the nominated films will rarely be spoken of again. We’ll be too busy watching The Avengers and Pitch Perfect to give Beasts of the Southern Wild another look.
Below, I’ve taken the liberty of running down the Best Picture nominations since 2005. Check them out. How many have you seen a second time? Of the nearly 50 films, I’ve seen about 20 percent of them a second time. And maybe three or four of them might be watched a third time in the future.
2005
Crash
Brokeback Mountain
Capote
Good Night, and Good Luck
Munich
2006
The Departed
Babel
Letters to Iwo Jima
Little Miss Sunshine
The Queen
2007
No Country for Old Men
Juno
There Will Be Blood
Michael Clayton
Atonement
2008
Slumdog Millionaire
The Curious Case of Benjamin Button
Frost/Nixon
Milk
The Reader
2009
The Hurt Locker
Avatar
The Blindside
District 9
An Education
Inglorious Basterds
Precious
A Serious Man
Up
Up in the Air
2010
The King’s Speech
Black Swan
The Fighter
Inception
The Kids Are Alright
127 Hours
The Social Network
Toy Story 3
True Grit
Winter’s Bone
2011
The Artist
The Descendants
Extremely Loud and Incredibly Close
The Help
Hugo
Midnight in Paris
Moneyball
Tree of Life
War Horse
I think supporting actors are spot on. Waltz was better than Leo, So was PSH and TLJ. Deniro and Arkin are close with Leo, but since Waltz already is in this category for same movie, than why not.
so much overacting in that movie
I'm sorry but the Waltz love is way OD for this role. He did nothing better in Django than he did in Inglorious Basterds. Which he was truly fantastic in.
Leo showed range and played the Villian very well. H stole every scene he was in. A nasty piece of crap who pretended to be cultured.
No Moonrise Kingdom
Was thinking the same on this one to... DKR was top three all time in finishing a trilogywhat about dark knight rises?
THIS. A film about a president, with DDL as a role and Speilberg directing will probably win unfortunately. Just watched Silver Linings Playbook.. it was really good.Lincoln will probably win the most awards but other then DDL's performance, I didn't find it that interesting and I will probably never watch it again.
Joaquin Phoenix better win best actor for the evaluation scene alone.
I have to be honest, really did not like Life of Pi. Did not think it was good.
I'd rather Leo get it for the Wolf on Wallstreet... that sounds like it will be great.
No Moonrise Kingdom
Lead Actress: Mary Elizabeth Winstead