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Originally Posted by SneakerLips
Yo M-16 I have a quick question. So I downloaded the louis Logic album and I dig it. Fill me in on the actual meaning or purpose of the song "The Ugly Truth". I'm having some trouble understanding what he actually means
Give me a reason to check this Nay, genre? I'll probably d/l anyway and find out.Originally Posted by Harlem On The Rise
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Same for you ps2child. I see Mick Boogie but I don't think it's rapOriginally Posted by ps2child
yall missing out...
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Awesome.Originally Posted by WE GET LIVE
Pavement's Slanted and Enchanted.
Separation Sunday is the second studio album by The Hold Steady, released on May 3, 2005 through Frenchkiss Records. A concept album, Separation Sunday follows the stories of Craig (the narrator), Holly (also known as Halleluiah), a sometimes addict, sometimes prostitute, sometimes born again Christian/Catholic (and sometimes all three simultaneously); Charlemagne, a pimp; and Gideon, a skinhead, as they travel from city to city and party to party. (All three characters made appearances on the band's previous album, Almost Killed Me, and reappear in "First Night", and "Same Kooks" on Boys and Girls in America, and then again in "Ask Her For Adderall", a bonus track from Stay Positive.)
Separation Sunday is lyrically dense, full of Biblical allusions[sup]http://en.wikipedia.org/wiki/Separation_Sunday#cite_note-0[/sup], intertextual and self references (e.g., in "Don't Let Me Explode," when Holly is asked about Charlemagne, "she just smiled all polite-like and said something vague"; in Almost Killed Me's closing track, "Killer Parties," the narrator instructs listeners, "If they ask about Charlemagne/Be polite, say something vague"), word play, and puns ("Stevie Nix": "She got screwed up by religion/she got screwed by soccer players"). Vocalist/songwriter Craig Finn typically delivers these lyrics in a distinct flavor of sing-speak.
Musically, Separation Sunday engages Classic rock motifs -- guitar solos, riff-based structures, use of piano and organ, and guitar harmony. Structurally, however, most songs eschew the standard "verse-chorus-verse" song structure, frequently foregoing choruses or refrains all together. Separation Sunday's tight musicianship and muscular sound led Blender to describe The Hold Steady as "sound[ing] like the best bar band in the world."
A must for avid Clipse fans, but lets not act like it's a classic or anything.Originally Posted by EnEyeKayEe
Most dudes don't know this exists, because it technically doesn't - it got shelved. This was supposed to be Clipse's debut album. 16 tracks of EARLY Neptunes![]()
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Originally Posted by DUB 253
Listen to this for the first time in a while yesterday:
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Stoupe is a beast...![]()
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"Unclassifiable" is usually lazy shorthand for albums featuring both guitars and keyboards. Alopecia is a liquid in the sieve of genre: put it on headphones and it begs to bump; recite lyrics aloud and people will look at you with loathing usually reserved for religious leaflet canvassers and slam poets; try and decode the words in your head and you'll only hear the melodies behind them. As for his lyrics, it's wrong to call them stream-of-consciousness, since that implies Wolf is a poor self-editor; nothing about Alopecia is lazy. It's more like 5 a.m. journal entries cut up and turned to collage. Clearly, every line won't be pure gold, but they all add up to something.
Anyways - check it out if you haven't before.