- Dec 13, 2018
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Jimi's misfortune, if you wanna call it that, came at a time that James Brown and his sound ruled the soul/r&b charts. Coupled with a heavy Black identity, the Black power movement had just started getting rolling. If it didn't have that funk underneath it? That 1/3 groove? It wasn't getting played on Black radio. That sound that Jimi was messing with suddenly became the music of white boys, and that is because Black music was still in control of itself to some degree. Jazz had lost its steam in the early 60's, with Miles being the only one making real money. Miles LOVED Jimi because of the Blues, and the sound that he had. But even Miles had starting dabbling into the James Brown sound. His On The Corner album was trying to latch onto that evasive, and ever evolving Black audience.stumbled across this scholarly paper on the cultural juxtaposition of Jimi Hendrix and this passage stood out:
I´ve always identified with dude--short version of his story: born in Bum****, Bamasippi, people hated him because suntan, moved to England, oh **** it´s Jimi Hendrix--and this paper is even helping me realize why.
happens to be one of the most talented musicians in modern history too, so that helps.
would also like to get some angles on this concept, it reflects my personal experience.
I think I have posted enough pictures of myself on this chat line to highlight why this is relevant.
For me, Brown was like Jordan in the music narrative during the late sixties and early seventies. Many acts could never get a chip, because of what he was doing and how revolutionary it was at that time, reducing every instrument in his band to a drum, then putting the groove on the 1 and 3. It resonated, and Jimi doing his thing at that time, wasn't where heads was at. Motown was doing its thing as well, as was Staxx out of Memphis, but Jimi simply did not fit where things were going, and that includes the direction of Black identity and politics.
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