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If errol randomly said "the proof is in the pudding, b" during that scene I would've died from laughter.
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The first shot there was, like it was from Errol's perspective. The second shot when Rust started approaching wasn't, it was more just a camera angle from the same spot.
Yea...I thought it may have been from Errol's perspective. The heavy breathing may have been a result of him running from Rust. Unless their encounter happened after...
I mean, he basically made this whole series in a vacuum. Maybe he didn't see so much of the audience being open to the supernatural coming.Imagine the theories for Season 2 if Season 1 was him "playing it straight" :x
Its doesn't surprise me the writer was a huge Alan Moore fan, much it it sounded like the worst of overwritten Alan Moore dialogue made worse by the fact that humans are saying it rather than reading on a page.
I want the next season to have a completely different look and feel and new themes too. The only thing connecting the seasons should be that they are detective stories. I wouldn't be mad if the next season was a comedy focusing on a pothead PI
This was pretty damn awesome.
I want the next season to have a completely different look and feel and new themes too. The only thing connecting the seasons should be that they are detective stories. I wouldn't be mad if the next season was a comedy focusing on a pothead PI
Perfection.
Really wish they explained all the stuff with his daughtter. That seemed odd to leave out. Maybe that all ties into what was said about the detectives curse.
The finale left some questions unanswered as far as Audrey is concerned. There were red flags throughout the series when it came to Audrey, including the toys in her room lined up in a gang rape scenario similar to the one on the dreaded tape.
I know what you mean. That was foreshadowing for later in the investigation. Audrey is someone who’s very affected by her father, as most daughters are, but Marty isn’t present throughout a lot of her childhood because he’s really invested in his job, and he’s not the most faithful husband and has a lot of distractions—like the young girls that come into his life. When you see Audrey early on and she’s playing with her toys in an inappropriate way, it foreshadows how the situation between her parents really impacts her, so when you see her later on, she’s become very dark and has resorted to rebelling against her father and becoming Goth. It’s just a plea for attention because he’s not present in their lives at that point.
When we shot the finale, we also shot a scene of us going to the hospital to check up on him and Marty asks her about her art and her life, so you can tell he hasn’t been present in her life and regrets the way he’s acted.
still over analyzing I see
I can respect that. I just feel like it was a little too overt. Keeping that sexual inappropriateness around children theme...I get. I mean, that little cutaway sent a chill down my spine. I just think that's too on the nose, not to trigger anyone even just passively watching the show, into thinking X has to mean Y.That's really just old school film storytelling versus the modern complexity we've gotten used to. I tnought there was a connection as well, but seems like it was just a cut away plot device like those old black and white movies.
**** the critics
im legit upset that the "feminists" may have an impact on how the creator chooses to create
they need to let Nic, cook-- sit back and let him be great
question though, boys
i've never watch a full season of a show when it actually came out
realistically, im wondering how long until there's casting announcements / release dates / etc
just based on previous shows. i mean with breaking bad came out w/ one season a year, right?
but he still has to write the damn thing, huh? so now we're talkin 2016 |I