What are you trying to say here? That art never crosses into politics?
How can one comment on the condition of society without ever making political statements, funny or otherwise?
the expectations and context of political speech are different than a stand up comedy stage.
We're not just talking about any offensive language; there's a difference between using slurs and using curse words. Your argument consistently fails to acknowledge that.
Louis CK became a darling of progressive media critics, with a stand up special that liberally used the N-word.
and he continued to use it in his comedy before his me too fall.
The mention of a slur does not automatically make the content harmful.
it's not some on or off switch.
and The Closer near the end he mentions he used to call people the t slur in his bits and that he's stopped.
so what is the specific part of this that is so particularly dehumanizing that is a difference in kind than his usual approach to comedy.
and again you get left with the problem who gets to decide.
im a black person who has no problem with Louis nword bits, some black people im sure do have a problem?
minds can differ but using subjective claims of harm as a justification is too hazy a standard to operate from.
At this point, I'm just curious about your position on the southern strategy, because it was a communication tool designed to paint black folks in a negative way without resorting to expletives.
its not relevant. the southern strategy is bad because their the ideological goals were bad.
the southern strategy did not create racism.
Dave Chappelle is explicitly supportive of trans rights, so comparing it to the southern strategy doesn't make any sense.
Your argument demands that you ignore all the ways in which speech can be harmful without being explicit too. That's pretty disingenuous.
im not ignoring anything, the point, which you refuse to answer is who gets to decide?
so some speech can be intepreted as harmful, who gets to decide what interpretation is correct?
there is no good answer to this that's why using subjective interpretations of artistic speech
and treating them as actual harm is unworkable, and empowers the most cynical and hyper neurotic scolds.
If excellent and disruptive art can exist in an environments in which government entities can crack down on dissenting opinions on a whim, excellent art can exist in environments where private groups criticize the artists and the topics addressed by the art. This is a weak argument designed to protect those who want to jump on the art gravy train without having to address the controversies raised by their product. Ultimately, this can even become detrimental to the art itself because the lack of accountability tends to invite mediocrity.
fine not impossible, just way more difficult.
I do not see the purpose of making it way more difficult to do art, journalism, science ect
in pursuit of a project that has little to no material benefit to the people it claims to help.