Baam
It is without a doubt the case that Baam is the most interesting character in all of ToG, when considering just how well-written and unique he is.
Many could argue Khun and Rachel as another two extremely interesting characters, however, they have fairly “normal” character narratives. The lost man looking to find light again and a girl filled with jealousy. These are good narratives, but they pale in comparison to Baam’s main narrative: the case study of “your environment shapes what you become”.
In a sense, Baam is such an amazing character, because the entire story of Tower of God was clearly created to study his case. A case that is fairly rarely studied in literature and requires EXTREMELY specific parameters to make possible. SIU has already shown in many instances that ToG is essentially a tool for him to tell specific character stories. He has never put much emphasis on the small details(environment wise) and has created a universe where extremely specific cases can be explored while still making sense in said universe. Abstraction is the key word here. Something that light novels tend to lack EXTREMELY. (The absolute must-mention exceptions being Monogatari and HakoMari, which anyone interested in character-driven stories MUST READ). So what exactly is this case?
What happens when you separate a newborn from all of society, all it’s laws, all it’s paradigms and then, once the newborn has developed enough to make his own decisions, release him back into this society. The concept being studied here is that there is no such thing as “natural talent” or "preferences", but everything depends on the environment of the individual while growing up. As an example, a son of a CEO is likely to get the highest quality education possible and as such, develop at a much more rapid and correct way than someone who has not had access to such education. The talent portion of this narrative is explored in ToG extensively. Another, more interesting way to look at it is that if you were to take a person and not expose him to any of the world’s evil, he would inherently never develop evil. This goes very very far back and I don’t have the education to discuss at further length the entire concept of inherent evil so that’s as far as I will go in that.
What makes Baam’s case unique in this study is that he is isolated from ALL paradigms of society. Not just concepts of good or evil, but also base concepts like skills, education and so forth. He is basically not given any “input” and as such, cannot “configure” himself into some sort of state (programming terms, ask in the comments if you want me to clarify on this part).
And on top of all that, once this “white-canvas” person is brought back into society to watch the interaction, he also is given an ADVANTAGE over all of society. This is possibly the most interesting part, the fact that he, in a sense, is THE natural talent. SIU plays with the concept of “you get shaped by your environment” to create his personality, but at the same time, introduces the concept of talent, which, by the theory, should not be possible.
The key here is that Baam likely doesn’t have any specific talent, but, rather, is simply “given” the advantage by the environment(tower). Here you can branch out into any number of theories as to what the origin of Baam’s power is. Maybe the Tower, as an entity, decided to “give” him access to power or maybe he was created to have it from the start. Or maybe his lack of exposure to the environment simply made him have an “unbroken” bond with Shinsoo and that spiraled into everything else. Which is it, is not the point though. The point is that he starts out with a huge advantage over society, while being fundamentally different from it. What does he do?
So at this point, we would be leaving the “cave” and entering the Tower. Almost every reader should now be screaming – BUT WHAT ABOUT RACHEL? And this is where it gets REALLY interesting.
Essentially, Rachel, as a character, has multiple purposes and one of these, that often gets overlooked, is that she gave Baam some form of teaching into how humans behave. If there was no Rachel and Baam was brought into the tower, he would essentially be a monkey. Zero education. It is just the case that we cannot have an ENTIRELY clean-slate character. It simply wouldn’t be able to interact with society then. We need to give said character a sort of “interface” or “connection” with society. Rachel acts as this interface. If ToG had a different setting, a computer could have done the same, however, here is the key detail : by having another human teach our character, we introduce a SLIGHT bit of corruption in him. We give him a SLIGHT configuration. Make him be a white canvas, but with one small brush of paint on a corner. A sort of “pre-configuration”.
Something to push him in a direction. Those who study artificial intelligence might now start thinking about machine learning. The idea behind machine learning is that you can give it an input, but you also need to give it some sort of “push” in a direction so it would know what exactly to learn. Some sort of “score” or “goal”.
Rachel is exactly that sort of push. She is a slight corruption in Baam that makes him move in a certain direction that those who created him, would want him to move in.
Think back to every single moment when Baam as a character felt negative. Here’s a hint – every single one involved Rachel in some form. That’s the beauty of it. We do not have a perfect case study of the perfect AI, because it would lead to nothing. It is because he has this negative aspect that he is able to move forward. That he moves out of the cave.
In one way, Baam is really the human analogy of artificial intelligence based on machine learning. Grand, is it not?
This concludes Part 1 of my analysis on Baam. This is a great stopping point, since I essentially only spoke about Chapter 0 of the webtoon taken in the context of the entire story so far. If I were to write more, I would need to start rereading every chapter for sources. It would be the start of analyzing his interactions with other characters.