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Hollywood needs to stop with the whitewashing vol. Exodus: Gods and Kings
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This guy is acting like colonization and race mixing hasn't caused the Egyptian people or any people to look different than from thousands of years ago.
Bruh probably thinks Neymar isn't black and Aztecs/Incas should be played by Anne Hathaway.
I thick the thread should be locked at this point, nobody is going to change anybody else's opinion on this subject.
Some people won't / can't see the truth through their veil of white optimism.
This is why Garvey wanted us to leave this continent, why Malcolm wanted every dollar in our communities.
But y'all got it, it's not all calculated. idris playing a norse god was attacked by white people, the new annie movie had outrage, the new johhny storm had outrage, gambino playing spiderman had outrage, the character rue in the hunger games(who is described as being black) had outrage. They will piss and **** and groan and moan when we play their roles, but when they play ours, we're supposed to just lie down and take it in the *** because it's just a movie. Us being mad about Egyptians is just throwing race cards.
View media item 1106021
The jig is up and Hollywood knows it's up, but they aren't gonna stop doing what they're doing.
Bruh probably thinks Neymar isn't black and Aztecs/Incas should be played by Anne Hathaway.
I thick the thread should be locked at this point, nobody is going to change anybody else's opinion on this subject.
Some people won't / can't see the truth through their veil of white optimism.
This is why Garvey wanted us to leave this continent, why Malcolm wanted every dollar in our communities.
But y'all got it, it's not all calculated. idris playing a norse god was attacked by white people, the new annie movie had outrage, the new johhny storm had outrage, gambino playing spiderman had outrage, the character rue in the hunger games(who is described as being black) had outrage. They will piss and **** and groan and moan when we play their roles, but when they play ours, we're supposed to just lie down and take it in the *** because it's just a movie. Us being mad about Egyptians is just throwing race cards.
View media item 1106021
The jig is up and Hollywood knows it's up, but they aren't gonna stop doing what they're doing.
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There has to be famous egyptiin actors out there for these roles or you guys just want color or actual Egyptians?
victor page
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How about leaving the storylines alone?
victor page
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Guess who started it...
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Then we'd have a thread why doesn't hollywood tell stories about minorities. Dam just enjoy the movie. I'm not complaining about guatemalans not getting any movies lets just all be happy
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Then we'd have a thread why doesn't hollywood tell stories about minorities. Dam just enjoy the movie. I'm not complaining about guatemalans not getting any movies lets just all be happy
Its not our problem, you're a damn fool if you arent outraged if Hollywood ever made a movie about your country and it stared a buncha Christian Bale cats.
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Its always people who arent black telling us to calm down about these inaccurate portrayals of our history.
I WAS PISSED OFF WHEN TOM CRIUSE WAS THE LAST SAMURAI
I WAS PISSED OFF WHEN TOM CRIUSE WAS THE LAST SAMURAI
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^ the last samurai was Japanese though in that movie
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Yeeeeeah....... But it's mostly to make money and entertain........ Actually I think it's only to make money and entertain
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Mel Gibson made a movie about the Mayans I ain't complain once tho but I did hear people outraged at the level of violence.
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did you read what you just put? Did Mel Gibson star in the flick?
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Yeah I read what I wrote I responded to what you said hollywood has made a movie of my people cast with Mayan ancestors. What I don't get is why many of the people here keep throwing out black actors and have yet to mention any egyption actors.
If you wanna do this movie right get egyption actors but most of the one I found who are famous are to light skinned for many of the posters here.
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and now what you're doing is trying to say Egyptians of that time were not Black, and they were.
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modern day egyptians arent the same people who resided there 2-3 or 5 thousand years ago.
What u fail to comprehend is that the current people who reside in egypt arent the ones who were there to begin with.
Ancient Egyptians were black... PERIOD
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Lol straight idiots in here as if mummies don't exist and thousands of paintings that clearly show how black people were portrayed by ancient Egyptians and their skin color in the paintings is different than a lot of the ancient Egyptians. And as if the 400 years of Arab colonization somehow got rid of all the blackness in Egypt and made everybody olive skin now. Like what kind of dumbness is that? Believe what you want thou.
victor page
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Look at slaves and compare them to African Americans of today...
me662ll a
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I thought I was half black, half white but we off that
Now I'm half white, half egyptian
not srs
Now I'm half white, half egyptian
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LUCY: WHY I’M TIRED OF SEEING WHITE PEOPLE ON THE BIG SCREEN
http://oliviaacole.wordpress.com/20...red-of-seeing-white-people-on-the-big-screen/
I’m tired of seeing white people on the silver screen.
First, let me note that I am white. I am a white woman who goes to the theater to see probably a dozen films (if not more) in a given year, a white woman who readily consumes TV shows and series and often blogs/tweets about them. I love film. I love what Hollywood could be, but I must say that I don’t love what it is, and that is a machine generating story after story in which the audience is asked to root for a white (usually male) hero over and over and over (and over) again. I’m tired. I’m tired of directors pretending that white actors are the default and that people of color are a distraction when it comes to filmmaking. I’m tired of black women in Hollywood being relegated to roles of slaves and “the help” over and over again. I’m tired of films convincing themselves that they are taking on something fresh and new, the likes of which the world has never seen, but in actuality adhering to tired tropes and stereotypes.
One example that comes to mind is Avatar, a “groundbreaking” film about aliens and humanity, which, underneath it all, is the same old White Savior story. But more recently is Lucy, the film starring Scarlett Johansson in which a woman named Lucy evolves and is able to use 100% of her brain’s capacity after she unwittingly ingests a massive amount of drugs.
Lucy is about what humankind could be: it’s about possibilities. As Lucy’s brainpower grows stronger and the volume of knowledge she is able to access increases, she delivers monologues about how little humans understand about death, existence, and the universe, mediating on time and history. The film likes to think of itself as reimagining everything that we think we know about humanity, and presents to us their vision of what the most evolved woman on earth looks like:
A blonde white woman.
See, I just can’t get right with that.
You see, I was an anthropology major in high school and by the time I was 16 I’d learned all about Lucy (Australopithecus), the collection of bones found in Hadar and thought to have lived 3.2 million years ago, one of the oldest hominids we know of. Lucy the film doesn’t try to hide how cute they thought they were being by naming the supreme evolved being in their film “Lucy:” they show an ape-like creature crouched by a stream to illustrate just how far human beings have come, and say as much in the opening lines, depicting vast cities built up to show our progress. The original Lucy was not really an ape, though: she had small skull capacity like apes, but her skeleton shows she was bipedal and walked upright like humans. Hadar, by the way, is in the Awash Valley of Ethiopia.
So I guess what’s sticking in my craw is the assertion that while human life originated in Africa—a detail the film neatly skims over, placing the ape-like Lucy that Johansson sees in North America—somehow the way we imagine the most evolved human being is blonde and white. Even more, when Lucy gets surges of knowledge in the film, her eyes flash brightly blue. Because blue eyes, we all know, are the universal symbol of superiority, right?
How is it that in a film whose premise rests on the idea of reimagining the past, present, and future, we still end up with a blonde white woman with flashing blue eyes as the stand-in for what personifies evolution and supremely fulfilled human potential? At one point the Ape-like Lucy and Evolved Lucy meet face-to-face as Evolved Lucy does a bit of time-traveling. Their fingers touch, and we see them deliberately posed to mimic the famous Creation of Adam painting, and in that moment I saw what I suppose we were supposed to see: humanity at its beginning, and then humanity at its end, at its most perfect. Blonde, white, and blue-eyed.
I can’t accept that. I can’t accept that there was only one black woman in the entire film, who delivered one line and who we never saw again. I can’t accept that the bad guys were Asian and that although in China, Lucy’s roommate says, “I mean, who speaks Chinese? I don’t speak Chinese!” I can’t accept that in Hercules, which I also saw this weekend, there were no people of color except for Dwayne Johnson himself and his mixed-race wife, whose skin was almost alabaster. I can’t accept that she got maybe two lines and was then murdered. I can’t accept that the “primitive tribe” in Hercules consisted of dark-haired men painted heavily, blackish green, to give their skin (head-to-toe) a darker appearance, so the audience could easily differentiate between good and bad guys by the white vs. dark skin. I can’t accept that during the previews, Exodus: Gods and Kings, a story about Moses leading the Israelite slaves out of Egypt, where not a single person of color is represented, casts Sigourney Weaver and Joel Edgerton to play Egyptians. I can’t accept that in the preview for Kingsman: The Secret Service, which takes place in London, features a cast of white boys and not a single person of Indian descent, which make up the largest non-white ethnic group in London. I can’t accept that in stories about the end of the world and the apocalypse, that somehow only white people survive. I can’t accept that while my daily life is filled with black and brown women, they are completely absent, erased, when I look at a TV or movie screen.
I can’t accept that. And I can’t accept that when we think about the potential of humankind and what our brains are capable of doing and thinking and feeling, that people of color would be absent from that imagining. I can’t accept that. And I won’t. I’m tired of seeing people that look like me crowding screens both big and small: I am not what the world looks like. Hollywood, stop whitewashing characters. Give us more films like this year’s Annie. I’m no Lucy: like everyone else I’m only using a tiny amount of my brain’s capacity. But you don’t need to be a superhuman logic-machine to see that Hollywood has a major problem with depicting people of color, and it’s time to actually reimagine what the world can and should be.
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Yo, she has GOT TO STOP COMPLAINING. It's all in her head.
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shut upI thought I was half black, half white but we off that
Now I'm half white, half egyptiannot srs
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The Last Samurai was a story loosely based on the real life accounts of a white man who fought alongside the Japanese in the 19th century.
me662ll a
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You're a clown for looking way too far into this. It's a movie. Their goal is to make money, not brainwash people, and keep the black man down.
Chill with all that nonsense.
Chill with all that nonsense.
