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slim thug the same dude who got a baby by his own cousin
i aint listening to **** he say
Kanye West: King of the Sunken Place, "Watch the Throne"
- Thread in 'General' Thread starter Started by MalcolmNewton,
- Start date
i aint listening to **** he say
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The Historian Behind Slavery Apologists Like Kanye West
An 1863 photograph that became known as “The Scourged Back”’ shows the whipping scars on Gordon, a former slave in Louisiana who escaped to Union lines.Credit McPherson & Oliver, collection of the Illinois State Historical Library
https://mobile.nytimes.com/2018/05/...l?action=click&module=Opinion&pgtype=Homepage
An 1863 photograph that became known as “The Scourged Back”’ shows the whipping scars on Gordon, a former slave in Louisiana who escaped to Union lines.Credit McPherson & Oliver, collection of the Illinois State Historical Library
https://mobile.nytimes.com/2018/05/...l?action=click&module=Opinion&pgtype=Homepage
Dr. Roberts and Dr. Kytle are the authors of “Denmark Vesey’s Garden: Slavery and Memory in the Cradle of the Confederacy.”
A video of the rapper Kanye West discussing slavery is a sad reminder of America’s historical amnesia about the brutal realities of that institution. “When you hear about slavery for 400 years,” he said in the clip, which was widely circulated on Twitter, “that sounds like a choice.”
Mr. West seemed to suggest that enslaved African-Americans were so content that they did not actively resist their bondage, and, as a result, they bear some responsibility for centuries of persecution.
He’s not alone in his thinking. In 2016, the former Fox News host Bill O’Reilly asserted that slaves were “well fed and had decent lodgings.” Last September, the Alabama senatorial candidate Roy Moore deemed the antebellum era the last great period in American history. “I think it was great at the time when families were united,” he declared. “Even though we had slavery, they cared for one another.”
Modern scholarship has debunked such whitewashing, accurately depicting slavery as an inhumane institution rooted in greed and the violent subjugation of millions of African-Americans.
Yet countless Americans have not learned these lessons. They cling, instead, to a romanticized interpretation of slavery, one indebted to a book published 100 years ago.
In the spring of 1918, the historian Ulrich Bonnell Phillips published his seminal study, “American Negro Slavery,” which framed the institution as a benevolent labor agreement between indulgent masters and happy slaves. No other book, no monument, no movie — save, perhaps, for “Gone With the Wind,” itself beholden to Phillips’s work — has been more influential in shaping how many Americans have viewed slavery.
An enslaved man tied to a whipping post, circa 1865.
Born in 1877 into a Georgia family with planter roots, Phillips developed an abiding sympathy for the Old South. He studied history at the University of Georgia and then as a graduate student at Columbia University under the tutelage of William A. Dunning, a scholar with a pro-Southern bent.
After earning his doctorate in 1902, Phillips set out to correct the slanted picture of the Southern past that he believed prevailed at the time. “The history of the United States has been written by Boston and largely been written wrong,” he lamented. “It must be written anew before it reaches its final form of truth, and for that work, the South must do its part.”
Phillips certainly did his. During his 30-year career, he published nine books and close to 60 articles, earning a series of prestigious professorships that culminated in a “very flossy job,” as he put it, at Yale University. This 1930 appointment reflected his stature as the country’s leading historian of slavery and the South, as well as the influence of his most important book, “American Negro Slavery.”
He was a prodigious, albeit selective researcher. Phillips found evidence in plantation records and Southern travelogues that bolstered the book’s benign interpretation of slavery, while downplaying evidence that did not. In his hands, plantations became idyllic sites where white families had modeled the habits of civilized life for their childlike black charges. “The plantations,” Phillips wrote, “were the best schools yet invented for the mass training of that sort of inert and backward people which the bulk of the American negroes represented.”
According to Phillips, slaveholders provided the enslaved with comfortable living quarters and plentiful rations and eschewed physical discipline. They rarely sold slaves, especially if it meant breaking up families. Slave owners’ rule “was benevolent in intent” and “beneficial in effect.”
Phillips’s use of the passive voice — “in March the corn fields were commonly planted” — further distanced the reader from slaves’ coerced labor. Enslaved African-Americans, in turn, displayed gratitude and loyalty to their masters. Phillips concluded that, while slavery may have been economically inefficient, “the relations on both sides were felt to be based on pleasurable responsibility.”
“American Negro Slavery” won widespread acclaim in the North and the South. Reviewers praised Phillips for his thorough research, charming style and lack of bias. In the words of the historian John David Smith, an expert on Phillips, the book served as “the definitive account of the peculiar institution” from World War I into the 1950s.
The book set the tone for the treatment of slavery in classrooms and textbooks across the country. “There was much to be said for slavery as a transition status between barbarism and civilization,” maintained a 1930 best seller, echoing Phillips almost verbatim. “The majority of slaves were … apparently happy.”
From the beginning, however, Phillips had his critics, who insisted on telling a more truthful, unvarnished history of slavery. W.E.B. Du Bois wrote a scathing review of “American Negro Slavery,” observing, “It is a defense of American slavery, a defense of an institution which was at best a mistake and at worst a crime.” Drawing on interviews with ex-slaves, sources Phillips rejected, the historian Frederic Bancroft published a 1931 book that exploded Phillips’s misrepresentations of the domestic slave trade.
Phillips’s critics grew more vocal in the 1950s and 1960s, as a new generation of scholars challenged his benign reading of slavery and the racism that stained almost every page of “American Negro Slavery.”
Yet while Phillips’s most egregious claims fell out of favor, the legacy of “American Negro Slavery” has proved tenacious.
According to a new Southern Poverty Law Center report on how slavery is taught in public schools, current pedagogy continues to focus on slavery from the perspective of whites, not the enslaved, while failing to connect the institution to the white supremacist beliefs that supported it. Textbooks often ignore slaveholders’ desire to make money and too easily slip into grammatical constructions — Africans “were brought” to America — that absolve enslavers of their actions.
Last year, a Charlotte, N.C., teacher asked her middle-school students to list “four reasons why Africans made good slaves.” An eighth-grade teacher in San Antonio recently sent students home with a work sheet titled “The Life of Slaves: A Balanced View.” It prompted students to list the “positive” aspects of slavery along with the “negative.”
We must confront mischaracterizations of the nature of slavery, whether nurtured in the classroom or broadcast on Twitter. After all, historical accuracy on this topic is not just about getting the past right; it is also about understanding the challenges of the present.
The persistence of racial inequality in America — from police brutality and school segregation to mass incarceration and wealth disparities — reflects, to some degree, the persistence of the Phillipsian take on slavery. If the institution were little more than a finishing school for African-Americans, then why acknowledge or address its pernicious legacies today?
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**** Koonye
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The Last Slave Ship Survivor Gave an Interview in the 1930s. It Just Surfaced
BY BECKY LITTLE // MAY 3, 2018
Cudjo Lewis, the last surviving captive of the last slave ship to bring Africans to the U.S. (Credit: Erik Overbey Collection, The Doy Leale McCall Rare Book and Manuscript Library, University of South Alabama)
HISTORY STORIES
The Last Slave Ship Survivor Gave an Interview in the 1930s. It Just Surfaced
Roughly 60 years after the abolition of slavery, anthropologist Zora Neale Hurstonmade an incredible connection: She located the last surviving captive of the last slave ship to bring Africans to the United States.
Hurston, a known figure of the Harlem Renaissance who would later write the novel Their Eyes Were Watching God, conducted interviews with the survivor but struggled to publish them as a book in the early 1930s. In fact, they are only now being released to the public in a book called Barracoon: The Story of the Last “Black Cargo” that comes out on May 8, 2018.
Author Zora Neale Hurston (1903-1960). (Credit: Corbis/Getty Images)
Hurston’s book tells the story of Cudjo Lewis, who was born in what is now the West African country of Benin. Originally named Kossula, he was only 19 years old when members of the neighboring Dahomian tribe captured him and took him to the coast. There, he and about 120 others were sold into slavery and crammed onto the Clotilda, the last slave ship to reach the continental United States.
The Clotilda brought its captives to Alabama in 1860, just a year before the outbreak of the Civil War. Even though slavery was legal at that time in the U.S., the international slave trade was not, and hadn’t been for over 50 years. Along with many European nations, the U.S. had outlawed the practice in the early 18th century, but Lewis’ journey is an example of how slave traders went around the law to continue bringing over human cargo.
To avoid detection, Lewis’ captors snuck him and the other survivors into Alabama at night and made them hide in a swamp for several days. To hide the evidence of their crime, the 86-foot sailboat was then set ablaze on the banks of the Mobile-Tensaw Delta (its remains may have been uncovered in January 201
.
Most poignantly, Lewis’ narrative provides a first-hand account of the disorienting trauma of slavery. After being abducted from his home, Lewis was forced onto a ship with strangers. The abductees spent several months together during the treacherous passage to the United States, but were then separated in Alabama to go to different plantations.
A marker to commemorate Cudjo Lewis, considered to be the last surviving victim of the Atlantic slave trade between Africa and the United States, in Mobile, Alabama. (Credit: Womump/Wikimedia Commons/CC BY-SA 4.0)
“We very sorry to be parted from one ’nother,” Lewis told Hurston. “We seventy days cross de water from de Affica soil, and now dey part us from one ’nother. Derefore we cry. Our grief so heavy look lak we cain stand it. I think maybe I die in my sleep when I dream about my mama.”
Lewis also describes what it was like to arrive on a plantation where no one spoke his language, and could explain to him where he was or what was going on. “We doan know why we be bring ’way from our country to work lak dis,” he told Hurston. “Everybody lookee at us strange. We want to talk wid de udder colored folkses but dey doan know whut we say.”
As for the Civil War, Lewis said he wasn’t aware of it when it first started. But part-way through, he began to hear that the North had started a war to free enslaved people like him. A few days after Confederate General Robert E. Lee surrendered in April 1865, Lewis says that a group of Union soldiers stopped by a boat on which he and other enslaved people were working and told them they were free.
Cudjo Lewis at home. (Credit: Erik Overbey Collection, The Doy Leale McCall Rare Book and Manuscript Library, University of South Alabama)
Lewis expected to receive compensation for being kidnapped and forced into slavery, and was angry to discover that emancipation didn’t come with the promise of “forty acres and a mule,” or any other kind of reparations. Frustrated by the refusal of the government to provide him with land to live on after stealing him away from his homeland, he and a group of 31 other freepeople saved up money to buy land near the state capital of Mobile, which they called Africatown.
Hurston’s use of vernacular dialogue in both her novels and her anthropological interviews was often controversial, as some black American thinkers at the time argued that this played to black caricatures in the minds of white people. Hurston disagreed, and refused to change Lewis’ dialect—which was one of the reasons a publisher turned her manuscript down back in the 1930s.
Many decades later, her principled stance means that modern readers will get to hear Lewis’ story the way that he told it.
BY BECKY LITTLE // MAY 3, 2018
Cudjo Lewis, the last surviving captive of the last slave ship to bring Africans to the U.S. (Credit: Erik Overbey Collection, The Doy Leale McCall Rare Book and Manuscript Library, University of South Alabama)
HISTORY STORIES
The Last Slave Ship Survivor Gave an Interview in the 1930s. It Just Surfaced
Roughly 60 years after the abolition of slavery, anthropologist Zora Neale Hurstonmade an incredible connection: She located the last surviving captive of the last slave ship to bring Africans to the United States.
Hurston, a known figure of the Harlem Renaissance who would later write the novel Their Eyes Were Watching God, conducted interviews with the survivor but struggled to publish them as a book in the early 1930s. In fact, they are only now being released to the public in a book called Barracoon: The Story of the Last “Black Cargo” that comes out on May 8, 2018.
Author Zora Neale Hurston (1903-1960). (Credit: Corbis/Getty Images)
Hurston’s book tells the story of Cudjo Lewis, who was born in what is now the West African country of Benin. Originally named Kossula, he was only 19 years old when members of the neighboring Dahomian tribe captured him and took him to the coast. There, he and about 120 others were sold into slavery and crammed onto the Clotilda, the last slave ship to reach the continental United States.
The Clotilda brought its captives to Alabama in 1860, just a year before the outbreak of the Civil War. Even though slavery was legal at that time in the U.S., the international slave trade was not, and hadn’t been for over 50 years. Along with many European nations, the U.S. had outlawed the practice in the early 18th century, but Lewis’ journey is an example of how slave traders went around the law to continue bringing over human cargo.
To avoid detection, Lewis’ captors snuck him and the other survivors into Alabama at night and made them hide in a swamp for several days. To hide the evidence of their crime, the 86-foot sailboat was then set ablaze on the banks of the Mobile-Tensaw Delta (its remains may have been uncovered in January 201
.Most poignantly, Lewis’ narrative provides a first-hand account of the disorienting trauma of slavery. After being abducted from his home, Lewis was forced onto a ship with strangers. The abductees spent several months together during the treacherous passage to the United States, but were then separated in Alabama to go to different plantations.
A marker to commemorate Cudjo Lewis, considered to be the last surviving victim of the Atlantic slave trade between Africa and the United States, in Mobile, Alabama. (Credit: Womump/Wikimedia Commons/CC BY-SA 4.0)
“We very sorry to be parted from one ’nother,” Lewis told Hurston. “We seventy days cross de water from de Affica soil, and now dey part us from one ’nother. Derefore we cry. Our grief so heavy look lak we cain stand it. I think maybe I die in my sleep when I dream about my mama.”
Lewis also describes what it was like to arrive on a plantation where no one spoke his language, and could explain to him where he was or what was going on. “We doan know why we be bring ’way from our country to work lak dis,” he told Hurston. “Everybody lookee at us strange. We want to talk wid de udder colored folkses but dey doan know whut we say.”
As for the Civil War, Lewis said he wasn’t aware of it when it first started. But part-way through, he began to hear that the North had started a war to free enslaved people like him. A few days after Confederate General Robert E. Lee surrendered in April 1865, Lewis says that a group of Union soldiers stopped by a boat on which he and other enslaved people were working and told them they were free.
Cudjo Lewis at home. (Credit: Erik Overbey Collection, The Doy Leale McCall Rare Book and Manuscript Library, University of South Alabama)
Lewis expected to receive compensation for being kidnapped and forced into slavery, and was angry to discover that emancipation didn’t come with the promise of “forty acres and a mule,” or any other kind of reparations. Frustrated by the refusal of the government to provide him with land to live on after stealing him away from his homeland, he and a group of 31 other freepeople saved up money to buy land near the state capital of Mobile, which they called Africatown.
Hurston’s use of vernacular dialogue in both her novels and her anthropological interviews was often controversial, as some black American thinkers at the time argued that this played to black caricatures in the minds of white people. Hurston disagreed, and refused to change Lewis’ dialect—which was one of the reasons a publisher turned her manuscript down back in the 1930s.
Many decades later, her principled stance means that modern readers will get to hear Lewis’ story the way that he told it.
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"Mob mentality" is just like "identity politics." Individualism is preached to minorities while the alt-right gets to form collective movements that are nothing but "recreational activities around shooting guns and playing wars." The "[insert] working class" gets to ask government "what about me?" while poor ghetto dwellers have to find their own way in America.
This is a tired argument man.
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So that’s where Ro was going this morning...
yobyellav
formerly cord15
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Greenwood/Itta Bena
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would've lost his adidas deal already
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Bruh said Beyoncé shoulda won a damn
MTV award over Taylor Swift
And was damn near ostracized
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Go away
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Take me away Mr. Stark
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This is today folks. This is what "free-thinking" Kanye wants to you to ignore.
Bootstrapping for negroes, and state aid for white folks. But keep playing stupid.
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hey now kanye said black people have "no enemies"
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It turns out it was just an Art Performance
LOL
I thought he was trolling, but it turns out he was doing Live Performance art
You people take stuff too seriously Y'all need to smoke a blunt and chill out
LOL
I thought he was trolling, but it turns out he was doing Live Performance art
You people take stuff too seriously Y'all need to smoke a blunt and chill out
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Good stuff man, you're wasting your talents here. Go tell that to the angriest, blackest man you can find in person and help heal the world.It turns out it was just an Art Performance
LOL
I thought he was trolling, but it turns out he was doing Live Performance art
You people take stuff too seriously Y'all need to smoke a blunt and chill out
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its not performance art, elon rutberg was a close collaborator with kanye the last couple of years. I guess they had a falling out or whatever.
i also dont get the denial here. Kanye aint close to the first or last uneducated/ignorant person to get alt right radicalized by youtube. man was out here regurgitating everything candace owens/charlie kirk etc say.
dont forget even before all this on the saint pablo tour he was talking about "black people focus on racism too much" so its easy to see how Candace's "victor mentality" "you are not oppressed" ******** would resonate with him
i also dont get the denial here. Kanye aint close to the first or last uneducated/ignorant person to get alt right radicalized by youtube. man was out here regurgitating everything candace owens/charlie kirk etc say.
dont forget even before all this on the saint pablo tour he was talking about "black people focus on racism too much" so its easy to see how Candace's "victor mentality" "you are not oppressed" ******** would resonate with him
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Na, it's facts actually
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