Rap About Nothing: Hip Hop Chat Thread

Doe boy really paved his own lil way. Thug on his old Gucci **** and getting his guys in position. Gotit and slimelife not even signed to him but rep YSL hard like dudes used to do bricksquad back then. Everybody ain’t meant to be the boss man tho, look at jeezy.

Game and Jeezy are the worst A&R dudes around. Jeezy lucked into YG at least.
 
doe boy getting features from future and meek now so well what he does ..but i feel like he should be alot bigger than what he is right now..he can easily start his own label and put on artists from Cleveland/ Ohio in general..scooter and casino already **** with hella people in Cleveland..then on top of that he can easily collab with people like mgk and get his fan base as well
 
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This is why someone needs to do some type of documentary or acknowledgement of all the influences of this current wave before this **** inevitably switches

start from wayne, go to future, keef, thug, key! (a moment like this where people really know how much he influenced *****s would change his career), gleesh, etc.

i aint know *****s ****ed with reeselaflare tho this was my **** in HS. smh. 130k views 6 years later :smh: i wonder why he never blew



Reese Laflare and Key! are actually both on that new Dreamville compilation and Fader just did a lil mini doc on Key’s influence so the timing of this convo is funny :lol:



What happens with a lot of these real underground influencer type dudes tho is that they’re artists, but not really entertainers. Their brand is their brand and that’s it basically. They’re not really reaching for mainstream love, antics etc. Some of these _’s like Keef are straight up introverts when they not around they _’s and just seemingly don’t really give a **** about being famous at all as long as they can still eat lol

So you get this situation where a lot of these dudes fans are just other rappers and industry ppl basically :lol: Your favorite rappers rapper. Everybody will know about them except the fans cause rappers don’t need antics or marketing to find you and dont care if you got 10 views or 10 million views, they just know good music and recognize talent.

With that said, some of these _’s would prolly prefer you NOT get bigger because then they can just borrow a lil swag here and there unnoticed, so they just support you behind the scenes :lol: It’s interesting to get around artists and see what THEY listening to. A lot of songwriters go through something similar

Edit:

As far as Reese, he not really charismatic/marketable on a wide scale, he’s a important player tho. Him and Key! were kinda the bridge between the trap _’s and the hipsters cause they moved around in both worlds. That’s how that template was created. Key nem had Carti tryna run in houses during the week and performing at hipster bars on the weekends :lol:

Reese brought Uzi into the scene when he came to ATL from Philly in late 2013 and basically let him run with some swag took him around introduced him etc , they were both messing with Cannon at the time. That’s when Uzi picked up “his” signature Yeah flow (aka the Key! Flow)

Thats a big part of how Uzi and Carti became the "Elite" of the new gen tho, they didn't have to wait around and discover all this **** off IG and SoundCloud. They got a lot of the swag early, in real time, directly from the source and just took it to the next level/blended it with some other stuff
 
doe boy getting features from future and meek now so well what he does ..but i feel like he should be alot bigger than what he is right now..he can easily start his own label and put on artists from Cleveland/ Ohio in general..scooter and casino already **** with hella people in Cleveland..then on top of that he can easily collab with people like mgk and get his fan base as well

Man that Ohio to ATL pipeline been running for a cool lil min :lol
 
Reese Laflare and Key! are actually both on that new Dreamville compilation and Fader just did a lil mini doc on Key’s influence so the timing of this convo is funny :lol:



What happens with a lot of these real underground influencer type dudes tho is that they’re artists, but not really entertainers. Their brand is their brand and that’s it basically. They’re not really reaching for mainstream love, antics etc. Some of these _’s like Keef are straight up introverts when they not around they _’s and just seemingly don’t really give a **** about being famous at all as long as they can still eat lol

So you get this situation where a lot of these dudes fans are just other rappers and industry ppl basically :lol: Your favorite rappers rapper. Everybody will know about them except the fans cause rappers don’t need antics or marketing to find you and dont care if you got 10 views or 10 million views, they just know good music and recognize talent.

With that said, some of these _’s would prolly prefer you NOT get bigger because then they can just borrow a lil swag here and there unnoticed, so they just support you behind the scenes :lol: It’s interesting to get around artists and see what THEY listening to. A lot of songwriters go through something similar

Edit:

As far as Reese, he not really charismatic/marketable on a wide scale, he’s a important player tho. Him and Key! were kinda the bridge between the trap _’s and the hipsters cause they moved around in both worlds. That’s how that template was created. Key nem had Carti tryna run in houses during the week and performing at hipster bars on the weekends :lol:

Reese brought Uzi into the scene when he came to ATL from Philly in late 2013 and basically let him run with some swag took him around introduced him etc , they were both messing with Cannon at the time. That’s when Uzi picked up “his” signature Yeah flow (aka the Key! Flow)

Thats a big part of how Uzi and Carti became the "Elite" of the new gen tho, they didn't have to wait around and discover all this **** off IG and SoundCloud. They got a lot of the swag early, in real time, directly from the source and just took it to the next level/blended it with some other stuff


damn.

and see people barely even know the music influence so let alone all that. i remember thinking this was random af.



and that **** about rappers being all your fans gotta be the craziest dynamic ever. especially if its someone like drake lol who could subconsciously just be putting **** from music hes been listening to in his music and make a worldwide hit.
 
Hov probably woulda had both them ******.

If you think about the fact that Roc (Jay?) coulda had Drake, Ye and Wayne all signed? Under separate situations, "empires"? He coulda had the rap Yankees. Then that probably means people like Nicki, Sean, Tyga, etc.

Wonder if he tryna do that now.
 
Jeezy was plugged in with the Detroit cats and still couldnt do anything wit em :smh: ...They went off, did their own thing and got a nice lil lane now
Heard dude don’t be paying ******
 
this is huge..im calling it now dreamchasers is about to be the hottest label in the game

meek needs to tap into the talent in baltimore before the city blows up mainstream

Wrong time for Skola to get booked :{. Meek already hip to the scene here.

And Meek is the new Gucci when it comes to “ear” for what’s really POPPING.

He gon be in tune. This is major.
 
We getting that super-duper flow?
Big Sean comin thru with bars

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YOU CAN PRESS YOUR ASHES INTO WORKING VINYL
Tupac’s
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Artist memorabilia has always been a pretty decent business — see: The outrageous payout on a book of Drake or Lil Wayne’s old rhymes — but some artists’ old belongings are worth so much, they set records. No, the grass from Kanye’s Coachella Sunday Servicedoesn’t count, nor does Donald Glover’s half-smoked blunt from his own Coachella performance. However, late rapper Tupac Shakur recently made the record books when his old prison ID card wound up selling for $30,000 to an unidentified collector who wishes to remain anonymous (cue the “Tupac is alive!” conspiracies).

Heritage Auctions reported the sale through a press release, alleging that the sale set a world record for the most expensive piece of Tupac memorabilia ever sold at public auction. The auction in question was held both online and as part of Heritage Auctions’ Entertainment & Music Memorabilia Auction in Dallas. Garry Shrum, Director of Music Memorabilia at Heritage Auctions, explained the sky-high purchase price, saying: “Tupac and his music are just as relevant today as they were more than 20 years ago. Fans haven’t forgotten his impact on hip-hop. They will go to any lengths to own a piece of Shakur’s life and times.”
 
Kendrick really got a Quentin out here





Just imagine you heard this as a demo for DAMN
 
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Keef D a slimy bastard 100%. You could just tell by his body language and that egregious smirk he got. Straight 1090 type ***** for real :lol:
 
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